The Edge Of The World

I need to tell you about an epic walk of a few months ago. Epic both in scale, and in wonder, starting from a wee village near Sheffield to the awe-inspiring area of natural beauty that is Stanage Edge.

A short car journey from the ‘burbs of Sheffield takes you to the quintessentially English village of Hathersage, complete with a very old church and its charming lych gate...

(and half a motorcycle, because all lych gates need half a motorcycle) and a graveyard that houses the last earthly remains of Little John. Yup. You read that correctly.

“Here lies buried Little John, the friend & lieutenant of Robin Hood. He died in a cottage (now destroyed) to the east of the churchyard. The grave is marked by this old headstone & footstone and is underneath this old yew tree."

You leave the church and head north-ish through some delicious-looking countryside. Countryside of rolling hills and buttercup meadows...

... rolling hills and tiny farmsteads...

... rolling hills and drystone walls...

... all in the vibrant colours of late Spring!

Oh! Such surroundings, dear reader, are enough to set your heart beating rapturously. Or something along those Brontëan lines... Charlotte Brontë is said to have stayed in the vicarage of Hathersage visiting a friend, and the surroundings made such an impact upon her that she is supposed to have based her book ‘Jane Eyre' in an area that has much in common with Hathersage, including North Lees Hall as the basis of Thornfield Hall.

We passed North Lees Hall on our walk - it is slightly hidden to the left of the photo above, behind the trees and wall, and through the trees to the right is one of the first teaser view of Stanage Edge.

After walking a way further past the Hall, you approach Stanage Plantation, a small, but very pretty woods that fringe the bottom of the incline...

...which disguises how close you are the the Edge until you're almost free of foliage.

Looking at Stanage Edge from the Plantation on Google Maps you just see a pile of boulders that get steadily closer together, but the innocuousness of the the image belies the utter quantity of sweat that will pour from your brow (and other places) as you steadily (or unsteadily in my case) climb up the large and larger masses of gritstone that create the steep ascent to the top of the cliff.

But oh my. The first view from the top is worth every muscle-aching step.

And every view from the top after that keeps giving you extraordinary views at which to gaze in wonder.

Although some sights I gazed at more in slight fear, as there were many climbers with their mountaineering accoutrements working the more tricky faces, and there were plenty boulderers, too, easy to recognise not quite for their lack of ropes or harnesses but more for their use of brightly-coloured crash mats at the bottom of their smaller climbs.

I have absolutely no qualms in sharing an inordinate amount of photos of the views from the top. Every fifty yards or so there was a new and striking rock formation in the foreground, against a background of austere but incredible beauty.

And eventually you reach High Neb - the steep cliff edge you see in the distance in most of the photos above - with it's stone marker on the top that indicates you're at the highest point of the escarpment...

...with it's own beautiful view over to Higger Tor (another absolute Peak District favourite of mine) which you can see below to the middle right of the photo with the pale-coloured track winding up the front.

From there we walked a little further on, then started to work our way down again. I, foolish Hope Valley noob that I was, thought that was probably it for the sights of wonder, but suddenly as if from nowhere, a millstone graveyard appeared.

It is the weirdest thing indeed to see these abandoned mill- and grindstones, most of which are perfectly carved and finished and ready for use, in the midst of the wild and natural boulders of the cliffs.

Millstone production was a huge industry here from medieval times to the mid-eighteenth century, when the demand for white bread brought about the relatively rapid end of gritstone millstone use as these produced grey flour, whereas millstones carved in France were capable of producing the much more fashionable white flour.

There are dozens of finished, or near enough, millstones littering the landscape, lying where they were left by their carvers who were unable to see their finished articles sold.

It's rather poignant, in fact, to see these in situ. Hours and hours of back-breaking work by men who were losing their livelihoods even whilst they hammered and chiselled the very stones left here that we admire today.

But admire them we do. Even the smiley stone, whose face is re-chalked by walkers as they pass by.

The journey from Hathersage to Stanage Edge and back again is a beautiful one, and I heartily recommend it to anyone who is in the area. I was lucky enough to walk this for the first time on a bright and beautifully warm May day (perhaps a bit too warm...!) but I'm also looking forward to seeing this astonishing landscape in different kinds of weather and light. I think there are many stories here still waiting to be told...

A Whole New World!

Yes, a little cross-posting between here and my website blog, but I am totally justified, for although I do spread my words quite liberally across the blog posts of PORTAL (click on the link, go on - I dare ya!) I suspect going my usual BLAH down the screen might scare away potential clients. One must appear at least a little normal for the paying public, donchathink?

But you lot know me better, for which you all win one Internet each. Well done! I'm proud of you!

And of course you already know that I am nothing if not a creature of habit! A typical Taurean (should your beliefs meander in that direction) who is happy to follow foot-paths already well-worn. Taking the road most travelled, as it were. But I'm slowly learning that sometimes outside influences of the positive variety can lead us to take that road not previously taken, and when one doesn't fight against the instinct to stay safely in one's rut, there's a wealth of photographic opportunities of which to take advantage!

So where did my anti-rut travels take me then, I hear you mutter? Well, thank you for asking! This counter-custom excursion took me to ... ENGLAND! Dun dun DUUUUN! (With a side of SHOCK! HORROR!)

Just banter, dear readers, just banter! I'll have you know that some of the dearest people in my life happen to have been born south of Hadrian's Wall! Mind you, talking of said wall, I do have to admit that my foray into foreign climes didn't actually make it that far down the country, as I got no further that the border county of Northumberland - specifically the coastal village of Alnmouth, and the delightful market town of Alnwick (which is pronounced ‘Annick').

Yes, as you can see below, the weather was pretty naff at times, but (as my father says) skin is waterproof, and anyway, who cares about a little rain when you can get skies like this as a backdrop to somewhere as enchanting as Church Hill on Alnmouth Beach?

The beach itself makes for a lovely walk (and the sand makes for some well-worked leg muscles!) and although the river itself changed course out to sea in 1806 after a storm which caused much of the fishing and trade to go into sharp decline, there are still boats to be found up the estuary, ‘resting' or otherwise! 

You can also find evidence of anti-tank concrete cubes from WWII making a long snaking line up the dunes, and a many-varied bird population to keep the most Twitchery of Twitchers happy! Including a majestic barn owl who flew elegantly, and surprisingly languorously, around us while we traversed the beach. 

Five miles inland and you arrive at Alnwick, a rather pretty little market town sitting on the River Aln, which lies in the shadow of Alnwick Castle, the ancient seat of the Earls (and now Dukes) of Northumberland. 

There are quite a few tourists traps, including the austerely marvellous castle, but I have to say that the river walk is a MUST. Seriously. It's not obvious where to find the start of the path leading to the Aln, but if you walk into the grounds of the castle and instead of walking towards the castle, turn right around the perimeter of The Alnwick Gardens you'll find a pathway leading down towards the river. It's somewhat counter-intuitive, but absolutely worth the search.

And you might find it pretty much deserted, too! A beautiful morning in the light of a hazy sun, and we were the only two people there taking advantage of both the scenery and the decided lack of rain. It's a beautiful walk, with plenty of captivating views, plentiful wildlife, deliciously loud and bubbly weirs, and elegant bridges spanning the Aln.

And the odd folly/guard-house hiding amongst the trees!

The Anlwick Gardens was another delightful destination, and a must-see for anyone down in this direction, and although the rain and dreich conditions proved to be too much for my poor phone camera on the day of my visit, there was still enough magic in the air to capture something of the essence of the place. I'm looking forward to going back and discovering more sweeping panoramas, and secret arboreal corners to share with you all!

And yes, of course there were doors! Many doors! Both Alnmouth and Alnwick were stuffed to the gunwales with wonderful examples, most of which have been added to the Portals page on the website, but one of my favourites was entrance to what will now always be called The Most Wonderful Place On Earth™ if you're like me and a fiend for a good book or ninety...

Barter Books. Oh. My. Word. (Pun possibly intended.)

Barter Books is a wonderful second-hand book shop situated inside Alnwick's old railway station, and is stuffed (although in a very organised way) with books on all subjects by every author. (Probably!) Tall shelves are everywhere, reading nooks abound, the cafe sells everything from a relaxing cup of tea to the most delicious haggis, neeps and tatties soup that has to be tasted to be believed, and it is just the best way to spend an hour or two (possibly) should you be overtaken by a bout of bibliophilia!

Now I know that bookshops aren't normally in the scope of a blog about walking and losing weight, but really, you have to see this place to understand that an hour or four (realistically) under its roof will definitely add a good few thousand steps to your pedometer. And relieve you of a few pounds. Sterling, not lbs. (Especially if you want to partake of Barter's delicious food!)

I'm going back. Considering Alnmouth is a mere two hours by train (or three should you choose the route that changes in Edinburgh) that statement will probably come as no surprise, but there's still so much more to see, walks to take, gardens to visit. And I'm really looking forward to it!

A Portal To My Soul

I am insanely fortunate to have been able to spend hours and hours partaking of beautiful walks, taking photos, getting fit (or at least attempting to...) and I hope I shall always be this fortunate.

I am equally fortunate in that I appear to have the temperament that allows me to enjoy spending hours and hours editing photos from the hours and hours of beautiful walks, into creations that make my soul sparkle with happiness.

Walking begets photos, photos beget editing, editing begets blog, blog begets writing. And that makes me happy too, as I'm also fortunate in that I love playing with words!

It is, however, another world entirely to try and set up, for example, a website to showcase the end results of hours and hours of editing photos from hours and hours of partaking of beautiful walks!

Nevertheless, walking, photography, writing: a trifecta of happiness that come all wrapped up in this blog, has now been spread a little further across the interwebs in the form of my new PHOTOGRAPHY WEBSITE! WHEEEEE!!!!

Yes, it's called PORTAL! I was, at first, trying to find a name that suited both me, and the photos I like to take, and kept coming up with such pretentiousness that it was impossible to take myself seriously! (Well, as seriously as I can possibly take myself, at any rate!)

In the end I came back to the name I originally came up with when I first added my door photos to a facebook album back in August 2013: Portals. But just singular this time, to add a teeny bit of ambiguity. For portal does not only mean door, but it can also mean (amongst many meanings and now the word ‘meaning' has lost all meaning)... wait, I'll let Dr Google take over:

portal

ˈpɔːt(ə)l/

noun

noun: portal; plural noun: portals

1. a doorway, gate, or other entrance, especially a large and imposing one.

   synonyms:

   doorway, gateway, entrance, way in, way out, exit, egress, opening; More

   • an Internet site providing access or links to other sites.

I'm still tweaking the look here and there, adding pages there and here, and valiantly battling against fiddling too much!

And there is so much to fiddle with, given half the chance! From the layout, to the font, to the choice of... everything really. I'm rather impressed with Zenfolio for this. It's not all straightforward, although on the whole it's simpler than Blogger. (I won't begin to tell you how long I enjoyed playing with colours and fonts and layouts and backgrounds to arrive at what I have just now on here, though!)

Fonts, for example. Give me a facsimile of Henry Purcell's Orpheus Britannicus (a collection of songs posthumously published in 1698 and 1702) and I'll be just as enamoured of the beautiful type as I am with the beautiful music... 

Some of the (many) reasons I adore ancient books is the feeling of the raised ink against a less-than-smooth page; the slight irregularity to every printed word, the unevenness of each letter. The font I chose for this blog is called ‘IM Fell DW Pica'. It's a Google font by the designer Igino Marini, based on the typesetting work of printer John Fell (1625 - 86) and his personal typesetter, Peter de Walbergen, and to me feels like the internet text equivalent of an exquisite late 17th Century air.

But I couldn't have everything I put online look the same. Well, I could, of course, branding and whatever other business ideal it would be to have everything I did look the same... but not everything I do is the same. 

And so we come to ‘Century Gothic', the font I decided to use for the new website. I am split, and always have been, between the typographic ideals of the baroque and the 1920's, and ‘Century Gothic' (released in 1991 by Monotype Imaging), based upon a font called ‘Twentieth Century' (1937 by Sol Hess for Lanston Monotype), itself designed as a competitor to ‘Futura' (designed in 1927 by Paul Renner of the Bauer Type Foundry), has always been a favourite of mine. Although supposedly influenced by the Bauhaus School (I'm more of an Art Deco person myself), I'm still drawn to this font style as something synonymous with the glamour and modernity of the inter-war years. And it looks pretty!

So yes, I'm sure you can imagine the massive amount of enjoyment I get in playing about with page-designing tools, considering the amount of space I've just taken up on here discussing font choices! 

The hardest thing about creating the new site, however, has been choosing the photographs that I think, to get down to brass tacks, may bring in some revenue. I could very easily add every photo I've taken that has received, for want of less tragic example, a ‘love' on facebook, but 1) I'd quickly fill up my allotted (and paid-for) space on Zenfolio with photos already taken (oh yes, a little blowing of my own trumpet there!) leaving little space for future ‘loves', and 2) as much as I delight in knowing my facebook friend list is filled with dears who share, at least in part, my artistic temperament, this is sadly not an accurate representation of the money-spending world at large. Because we all know artists, musicians, and anyone associated with the arts, whether literature, performing, or visual, are pretty much as poor as church mice!

So yes, choosing photographs to has been a bit of a challenge, and I suspect I'll change my mind many times about what belongs there and what doesn't, but that's half the fun, no? Why not keep everyone on their photo-procuring toes!

But enough talk, and more walk! The temperature has risen from the minus four of this morning to a robust zero degrees C, and the sun is shining its little heart out. I'm off to find my walking boots...!

Falling

One of the things about being large is that you fear falling over. It's a forty-fifty-ten mix of panicking that you'll not be able to get back up again without extraneous help; being afraid that there are witnesses laughing at your no doubt attention-grabbing pavement-plant; the dread that you might have seriously hurt something other than your pride.

So... 90% fear of dying from embarrassment, 10% fear of actually, yannow, dying.

I've had a few serious falls in my adult life so far. (The childhood falls through glass doors, off bikes, and from the top of bale forts totally don't count...)

The first was when I was at music college in Birmingham, outside our local pub; although I must point out it was on the way TO, and not coming home from said pub. It was a simple mis-judgement of a pothole that led to me being ambulanced away, my ankle being strapped-up rather firmly, and having to ‘walk' around with crutches for a week.

The second (already richly documented on this blog) version was a tumble down some Portuguese church steps in 2005 in which I broke both the zip of my dress, and my foot.

The third, in 2011, was really just a trip over a kerb-stone and an inelegant land on my right knee on the edge of the self-same kerb-stone. The kicker was that I was at my heaviest, and that innocuous fall gave me unspeakable amounts of pain, and an unresolved haematoma that is still slightly swollen to this day. To say that my right leg from mid-thigh to mid-calf was one massive purple-yellow mess is no exaggeration. I shared the photographic evidence with friends on Ravelry, and one dear friend was so impressed with the incredible colouration that she dyed a skein of yarn in the colours she saw, called it ‘Bruise' and sent it to me!

(I have yet to find the perfect project to show this off in the fashion it truly deserves, so if anyone finds a lovely pattern for a crocheted sling, or perhaps a pretty knitted neck-brace, please do let me know!)

I suspect fear of falling off anything is something that we come across in all walks of life, but I'm slowly learning that if you're so afraid of falling, whether it be off a bike; down some steps; in love; whatever, you'll end up cocooning yourself away from any hint of a trip, sitting in a safe place, by yourself, wondering how life got so boringly, achingly lonely.

Yes, yes, I'm totally speaking for myself.

Lately I've been testing the give on several safety nets of my own, though. Well okay, that sounds like it has been a decision made by myself rather than The Fates giving me a strong nudge in more dangerous directions, but, for example, venturing out onto pathways of a less flat and concrete state and more of a rocky, muddy, hilly state has given more than a tug or two on the threads of my particular tapestry of life.

What have I discovered? Well, for one thing my knees don't seem to mind bending so much these days. Okay, so yes, that discovery was made after slipping in the mud a couple of times and landing on a completely folded knee. You know - like when you kneel completely, sitting back with your heels on your behind. Now, just to let you know, the last time my knees did this without pain (well, apart from the initial ‘ow, I've just fallen' jolt) is before I hit my teenage years. Remember that knee disease? The one that stopped everything athletic and balletic in my life? Yup. No knee-bend with weight on since then. Actually, no real knee-bends of any sort since then.

But how long has it been since that full kneeling-sit pose has been possible? THAT is the question... How long have I been missing out on doing more because I had never even entertained the thought that it might be achievable? Possibly a couple of years if I take into consideration that that's when I started doing knee-strengthening exercises again.

So how long has it been since I didn't feel the fear (quite so much) of trying to do something that might or might not end up with me making a fool of myself? Um... perhaps a month. Why? Because being the clumsy person I am I was too scared to risk it before. I remembered the pain and let that remembered pain weave a web of doubt and dread that held me back from trying anything new. But having slipped and fallen several times in the last month doing things I haven't attempted to do in years and living to tell the tale has given me a new sense of possibility.

Fear of falling isn't enough to stop me any more. Well, it might slow me up a bit, as it is probably a good idea to remember just how much of a clumsy clown I can be, but I'm not going to let it stop me completely any more!

Just remind me I said that when you come to sign the cast on my broken ankle...

The Golden Rule

I know I'll never have what goes for an ideal, Vogue-ready body, and my eye has been too schooled by the media, my mind too clouded by others' opinions of me over time to be content with my reflection, but today I saw a little bit of me that I liked that I never used to like.

It was quite the revelation. I was looking at myself in the mirror, properly, as I do only very occasionally, not usually liking (actually more disliking) what I see, but somehow today I was in the right frame of mind to see something other than the stuff of my bullied-person nightmares.

Let me explain... When you lose weight after being very, very large for most of your life to being merely large, things change. Your body gets a bit confused, and your skin doesn't quite know what to do with itself. Before shedding the weight, your largest organ (yes, that's your skin, I'm not just making this shit up as I go along, you know. Well, not entirely) had been getting on perfectly well, perhaps feeling a put-upon at times, somewhat taut maybe, but apart from the inevitable stretch-marks, it was beautifully wrinkle- and blemish-free.

And then you lose the equivalent of a teenager in weight and everything goes to hell in a handbasket. An ‘average' teenager, I have to say. Not me as a teenager...

...

[As an aside, my Mum was clearing out her airing cupboard the other day, and found an old skirt she made for me when I was maybe fourteen or fifteen. Had it not been too short for my current taste I'd be wearing it now! That was me as a young teenager. Size-wise, pretty much me now. A short, but large, albeit voluptuous, adult. Definitely not your archetypal teenager!!]

...

Some of the put-upon epidermis does eventually tighten itself a little, but mostly it just can't be bothered so just sits there, wondering why things had to change. It's not the loveliest of things, the by-products of losing weight. The romance of weight loss that we are spoon-fed by media, lifestyle hucksters, and diet quacks stops short of revealing the ending. Or the never-ending...

And I've not finished yet. I still have a way to go. But I decided a while back that I'd only go as far as I could cope with the side effects.

And what was the little bit of me that I liked? One of those side-effects... A little concertina of tummy skin. I know, sounds gross, right? Instead of being disappointed at the me I saw in the mirror, I looked at it, and I accepted it as being part of me. And then I realised it represented an achievement I was proud of, and not the left-overs of something I hated. Because I didn't really hate me, not really, I just hated being treated like I should have hated me, amongst other anti-large sentiments, but had gotten into the habit of pre-empting comments, jokes, and sentiments before having them spewed to my face by others first.

By trying to lose weight, though, I did (and still do) feel like I was letting the Size Acceptance movement down by wanting to change myself - the one group of people who are actively fighting to give those of us endowed with larger bodies a fair hearing in the auditorium of life. How could I support something by trying to change the very essence of myself that was needing support? I then realised that it's not fat acceptance that is the key, but the more simple and general ‘Acceptance'.

Acceptance of the belief that everyone is different. Acceptance that it's also okay to change something about yourself by any means you prefer if it has been making you sad, mad, or ill. And accepting that's it's okay *not* to change anything, either, because you're perfectly fine just the way you are. And the reality that wherever you are in your own acceptance the number one thought should be that you must be kind to yourself.

That being said, I am still harder on myself than I should be. I do want to lose more weight, and I can be quite the self-meanie. I want to make good changes for myself and am constantly aware of the struggle to do so. But in saying this, it is in no way a comment on other people, their weight, their methods of being who they want to be, their lifestyles, their anything. How on earth can I hope to be accepted for who I am if I refuse to accept others they way they are? Without trying to come across as all sanctimonious or moralistic, I'm a great believer in treating others how I'd like to be treated myself, and acceptance and kindness must surely take priority?

Conversely, I think it's okay to have things about yourself that you don't like. I reckon that striving for perfection is folly most of the time, but striving to be a better person isn't. Once you realise that perfection is unattainable it can also mean that you might find something about yourself, about others, about life, that you find annoying, or reprehensible, or stupid, or embarrassing, or any number of negative adjectives that spring to mind. Because we are human, after all. There will always be things we don't like, especially about ourselves. But we can stop the self-dislike becoming more pronounced by accepting that this something-we-don't-like exists, instead of trying to fight it into oblivion. For that, at least for me, just emphasises what I don't like even more, and makes it an even bigger mental foe.

So I'm trying to think in different directions. This thing I didn't like about myself turned into something else once I accepted it as part of me, and I realised that disliking it was okay as long as I didn't beat myself up about it too much.

I guess sometimes it doesn't take much to flick the switch from dislike to like as long as we are kind to ourselves, and by extension, accepting of others.

And because some of this post reminded me of this video below, I felt I had to include it!

Scones, Scones Glorious Scones

Nothing Quite like 'em for cladding your bones! 

(Yeah okay - I don't pronounce scone ‘scoan' but  it's difficult to find an appropriate word that rhymes with ‘sconn'!)

Ohai! Yes, I know, it has been a long time, hasn't it? An even longer time since I donned my Fake Food Blogger of Questionable Talent's™ hat. But today is a special day! It is the eightieth birthday of Father-Mine, and he does like my scones, rather, so I thought I'd make him a fresh batch of his favourite flavour combination!

Because yes, there have been variants. 

• White choc chips & frozen blueberries.
• Dark choc chips & glacé cherries.
• White choc chips & frozen raspberries.
• Milk choc chips & um, more milk choc chips...

And what is my Dad's favourite? Find out below...! 

This is a scone based loosely on the Dried Cherry Pistachio Scones recipe you can find on Call Me PMc. Loosely...

You need:

and

240g (or 2 cups) all-purpose (gluten-free) flour.
200g (or 1 cup) frozen raspberries.
175g (or 1 cup) white choc chips.
125g (or ½ cup) greek yoghurt.
115g (or 8 tbsp) butter.
65g (or ⅓ cup) granulated sugar.
1 tsp baking powder.
½ tsp salt.
¼ tsp baking soda.
1 egg.

I've included the original US measurements, because, no matter how much it pains me to say so, the universal cup size is quite handy if you're chopping and changing some of your key flavouring ingredients.

Firstly heat that old oven up to 200 degrees centigrade (or 400 degrees Fahrenheit, should your oven be of that persuasion). Yes, this is indeed an indication that it doesn't take too much time to get everything ready for the putting-in-oven stage. You now know me well enough to suspect that had it been otherwise, I would have been quick to step up on that well-worn Pre-Heating Soapbox of Disdain.

Then it's dry-ingredient mixing time, so in a large bowl you need to add the flour, sugar, baking powder, baking soda, and salt, and give them a wee mix around.

Now I have to point out that every time I've made these, I've had to add about another 100g or so more flour to move away from a rather sloppy consistency. YMMV, but I'd recommend being prepared by having at least another 50g of flour waiting on the sidelines, just in case...

To this you add in the butter and mix until you have ‘pea-size crumbles'. There are many time-saving ways to try this, from freezing the butter and grating it in, to the ultra-smart pastry cutter method, but I just go for the tried-and-tested fingertip method. It is here, and only here, that I appreciate my always-cold hands!

Set that aside, then in a smaller bowl mix the egg and yoghurt together. If you get the feeling that these two ingredients looks a thousand-times wrong when combined, please be assured that you are not the only one.

Once you're over your feelings of borderline disgust, add the... mixture... to the dry ingredients, give it a wee mix,

then add the white choc chips, and the frozen raspberries*, and gently stir together.
*Or whichever ingredients you've decided on today.

I chose to use frozen rasps purely because I wanted them in smaller bits, and I could whack them about with a rolling pin to separate them into tiny drupelets. Not possible when fresh. Nope.

Then the shaping fun begins! Turn the mixture out onto a floury surface (I just used the baking sheet with already floured baking paper) give it a quick knead to make sure everything is incorporated, then gently spread out into a ten-inch diameter circle.

Or, yannow, as close as you can be bothered...

... and then cut into eight wedges, and spread them a little around the baking sheet to give them a little room to grow when they bake. It's recommended that you use a floured knife, but I went one better (or worse, haven't decided yet) and used a floured pizza cutter. You know - the wheel type! I'm pretty sure it's laziness that it the mother of invention, not necessity...

Anyhoo, whang these babies in the oven for a recommended twenty, to twenty-three minutes, until ‘lightly browned'. Or, like me, realise twenty minutes is not enough, and forget to reset the timer to find that twenty-six(ish) minutes is just a tad on the long side...

Mind you, slather enough butter on them while they're still hot, and nothing really matters any more except for the tangy tartness of raspberries and white chocolate!

And Now For Something Completely Different

:: cue Monty Python theme music ::

ni julep by yours truly

Having, um, ‘invested' in rather a lot of self-striping yarn recently, I decided it was time for another pair of socks. Or three. I'm still rather a stickler when it comes to knitting other peoples' patterns. Or perhaps I'm overly fussy? I'm not quite sure what it is, but I'm always thinking if I'm going to knit something, why not design it myself? 

Ah, you know what it really is? I must be living up to my Scottish heritage by never handing over any hard-earned cash for something I could do myself for free! Heh!

ni julep by yours truly size medium
knit picks felici sock in ‘mint chip'

schachenmayr regia 4-fädig 4-ply solids in ‘borke'

The blurb:

“We want... a shrubbery!!" 

Technically this pattern is a mix of my Traffic Island socks, and my Twist of Citrus socks; a little bit of feather and fan, and a little bit of chevron knitting, and was originally meant for self-striping yarn. I was going to call it something mint julep-y as the eyelet pattern looks rather Lamiaceae-y, but on working a non-stripey version I got to thinking that it looked like a shrubbery was working up the leg!! Shrubberies, in fact, with a little pathway running down the middle of them! 

And a socktail was born! Or poured and knocked over, maybe!*

Ni Julep is an easy toe-up, Fish Lips Kiss Heel sock that works with all yarn colouring from self-striping to solid!

ni julep by yours truly size large
ice yarns mohair magic glitz in ‘green shades brown shades'

From mid-calf to short socks, too!

ni julep by yours truly size small
yarning yenta sock in ‘red fraggle'

holiday yarns flock sock sock in ‘bloody mary mix'

The sock starts at the toe, with my favourite cast-on, the Turkish Cast-On for Toe-Up Socks. You can, of course choose your own favourite cast-on should my favourite not be your favourite! 

yes, yes, there's a gap in the cast-on. 
it is now a design element!

For my small and medium versions (the Red Fraggle, and Mint Chip colourways) I chose to have a contrasting toe, heel, and in the former, cuff as well, as I like how they look with blocks of colour breaking up the stripes. My large version (Green Shades Brown Shades... hmmm, Ice Yarns may need some help in creating enticing colourways names...) is knit straight from toe to cuff using the slow(ish) colour changing yarn. Of course, you can have contrasting heels and toes for plain socks, too. Because you can!

The pattern itself is nice and easy - a 9-row repeat that is very easy to memorise.

I used the marvellous Fish Lips Kiss pattern for the heel. I shall extol the utter delights of this heel until I reach well past my extolation date. No, it's not a free pattern. (Why should you pay a dollar for a heel pattern? Because it is seriously up there with the best fitting heels EVER!) No, I am not affiliated with the pattern or said pattern's designer. No, I'm not telling you you can only use this heel. There are many, MANY heels of which you can choose your own favourite to use in this sock pattern. I would, however, suggest most keenly (reminder to self: do not binge-read Jane Austen when working on writing blog texts) that, if you do prefer using a different heel, to choose one that keeps to the general form. So, peasant/afterthought, or a nice short-row heel will do just the trick.

The leg, as you would expect, continues upwards with the shrubbery pattern and once you get to the start of the cuff (roughly 2 inches before the total length you prefer) you have 2 options: the first is to continue with the cuff pattern as written (as in the medium version), or switch to a simple twisted rib (where you knit one stitch through the back loop to, yup, you've guessed it, twist it, then purl one stitch) to the length of cuff you prefer. If you're working the shrubbery cuff, I'd recommend doing 2 repeats. For the twisted rib, I'd work it for 2 inches.

And to finish up, I'm a great fan of Jeny's Surprisingly Stretchy Bind Off, a lovely video tutorial of which I'll post below. It's simple, stylish, and does what it says on the tin!

So, there it is! Ni Julep socks! And how much am I going to be asking you for this little gem? ABSOLUTELY NOTHING!! NOTHING AT ALL! ‘TIS FREE!! WHEEEEEEEEEEEEEE!!

Okay, okay. I'm calm. Of course, Ravelry (to where you will be whisked if you click the button below) don't have a FREE, WHEEEEE button, so you'll have to put up with the BUY NOW clicky effort. However, as I think you may have guessed by now, there will be no actual buying involved!

Or, of course, you can click THIS LINK which will take you straight to the pattern page on Ravelry, so you can have a jolly good gander before you inevitably add the pattern to your queues!! 

MWAHAHAH!

* If you don't know (AND WHY NOT????) The Knights Who Say Ni are fictional characters from the film ‘Monty Python and the Holy Grail'. For King Arthur to pass by the Knights Who Say Ni (“ni") he is instructed to find them a shrubbery. A nice one, and not too expensive. They return with a shrubbery (the laurels of which are particularly appreciated) but instead of being let past, Arthur and his knights must find... ANOTHER SHRUBBERY, to place by the one they brought already, only slightly higher to get a two-layer effect with a little path running down the middle...